Sunday, August 8, 2010
How to spot a fake Vivienne Westwood bag
What tools do you need to install your new kitchen?
Many people forget that they may need to buy some new tools in order to fit their new kitchen or bedroom. Whilst this guide will try to include as much information as possible it is by no means the definitive guide. You could own the entire inventory of Screwfix and still discover that you need something else!
Unlike many kitchen companies, the owners ofThe Kitchen Workshophave many years practical experience in actually installing the products that they sell, starting way back in 1984. It is hoped that this guide is usefull to you.
First of all we need to look at the issue of cost versus quality. Cheap tools are exactly that, cheap. If you have to purchase new tools think about how you are going to use them. If you are a keen DIYer then it will be beneficial to spend a little more on the items, they'll last a good few years. If you feel that after the installation that you are never going to look at a screwdriver again, then buying cheap tools and throwing them away after you've used them is sort of acceptable. In any case, you should always buy the best equipment that you can afford, but this doesn't mean buying a 700 DeWalt radial arm saw just to cut 3 pieces of cornice.
To build your units you'll need some basic tools. Basic tools include a set of assorted screwdrivers that include both flat and posi-drive heads of various sizes. A claw hammer and a club hammer, bolster and chisel.A Stanley knife (or similar) and blades. A fine tooth handsaw and a hacksaw. Pliers, adjustable grips and wrench. A good spirit level of at least 1m in length. Pencils. A set of wood chisels. A mitre saw.
Power tools will be a neccessity, a cordless screwdriver with a spare battery and at charger of at least 1 hour tops this list, some people may put this at the top of their basic tool list. An electric hammer drill and a set of drill bits. In our experience a fairly cheap set of drill bits in a case from the hardware store is the best buy as even the most expensive drill bits can snap and become blunt. The best sets will contain a variety of items, screwdriver bits, hole saws, masonary and wood bits etc. and can cost from around 35. A jigsaw with some good blades, Bosch blades seem to resist twisting more than other makes. A circular saw with a good blade with at least 20 teeth on it. An electric planer is good for skimming the backs of worktops.
Other power tools that you could consider are a table saw and a router. The routeris essential for machining worktop joints, but a decent 1/2 inch machine and the relevent worktop cutting jig will cost quite a lot of money. A cross cut saw will cut the cornice, pelmets and plinth faster and more accurately that a hand mitre saw but a good quality saw can cost a lot.
A pair of saw horses can be very handy, you can buy a plastic set quite cheaply. If you are going to do your own plumbing you will need a pipecutter and possibly some type of pipe bender.Modern push fittings have eliminated the need for a blowlamp.Never attempt to alter the gas supply. If you plan to alter the electrics you will need to be very careful, new legislation has made many alterations in the kitchen illegal for non registered persons to carry out. In any case you'll need the proper insulated tools. It is always recommended that gas and elecrical works are entrusted to registered trades people.
Along with these tools you'll need an assortment of screws and wall plugs, plenty of spare time and a lot of patience. And of course the Great British builders favourite, lots of steaming hot tea.
5 Top eBay Selling Tips for Starting Out
Antique Japanese Woodblock prints,Ukiy'oe
The rules for caution on payment remain the same as in my previous gude.
Prints are great fun, the price has come down and the variety increased on e.bay.
Simple rule of thumb is this.......
Buy some books on the subject.
Ask the seller to confirm origin
Look for famous names,eg, Utamaro. If these are cheap be aware that laser copies are very good, for decorative purpose fine.
A good genuine print by say Sharako will cost tens of thousands while by Utamaro may cost 1000 up.
Ask for macro photographs of the print, the paper quality is important and should be hand made.
Many interesting prints can be had for a few ponds but 'Big names' always fetch big money if genuine.
The "Good" buys now are from the later dates,prints with a European influence, Hasui,Gekko and the like, wonderful era....... But be cautious as always. With this in mind I have placed a "Anti Fraud" visitors book on my web site. The concept being that we, in a small way, warn our web community of those out their who are "Stealing from us" by miss describing the print while aware that many will not know the difference between hand made paper of a genuine print or that of a laser copy.
Visit,add your comments both positive or negative but be objective. www.collectorsloot.homestead.com
Greyman
Motorola V3 Video Unlock Software Guide
The complete guide to MP3:
Looking for a great gift? for a friend or yourself? addicted to music?If you answer yes to the aboven an MP3 player is the tool for YOU!
As you may now be aware there's now a gadget on the high streets called mp3 players. If you are totally unaware of mp3 files or players or even computers in general then here are a few brief tips you may consider before buying an mp3 player.
1) Shape/style: it is vital you buy a player that suits you, if your a simple kind of person then don't go buying an expensive item that looks like something Batman would have on his utility belt! 2) The "size" or capacity of the player: This is the most important specification. This is how many music tracks you can store and save on the player. A good player can store about 300 songs/tracks at a good quality.This is a chart showing the size of player and how many songs it can hold:
128mb = 40
256mb= 60
512mb= 120
1gb= 250
2gb= 500
3gb= 700
...and my third and final tip, the PRICE!
I would advise purchasing online, you can the same technology as in the shops and even better for a lower price. For example, lets say a 1gb mp3 player is for saleat 80 in the shops, it's likely you could get one from an online retailer or online "seller" for half the price!!
Happy Listening,Jamema4
How to make money videotaping weddings!
There is a huge potential market for wedding videos. Just look in your local
paper any summer week and see how many weddings there were. Since almost
every household in the country has a VCR, you can bet that almost every
wedding has a video. Keep in mind, though, that there is also big competi-
tion in this field. If you want to make it, you'll have be sure of two
things: you have the skills necessary, and that you can offer more in your
area.
There's more to taping a wedding than just setting up a camera and turning
it on. If you're married and had a video taken at your wedding, I'm sure
you'll agree. You, the photographer, can expect to be dropped into an
environment of potential conflict. Last minute spats between the bride and
groom, conflicts between family members, still photographers, all can be a
source of headaches for you.
The best way to prevent problems is to set up a meeting with the bride,
groom, close family members, and, if possible, any other photographers that
will be at the service/reception. This way, you can find out exactly what
the family wants, any special shots they will want, any unusual parts to the
ceremony that they may want on tape, how many people will be involved, and
other issues. Keep in mind, the family will be paying you, so they will
probably want to TELL you what you can or can't do. If what they want is
reasonable, don't fight it. That makes your job easier. But, if what they
want is unreasonable, be honest with them, but, by all means, be tactful.
If you can meet with the other photographer(s), discuss where they need to
be to get their best shots, so you and your camera won't be in the way.
Also, this will help you with your planning so they won't be in your video,
and you won't show up in the photos. This brings up the subject of planning.
Planning is all important when it comes to wedding videos. You will be
producing something that the couple will want to view over and over, that
their family and friends will be seeing. It's your best advertisement.
So, you will want it to be the best it can be.
If you know what the ceremony will be like ahead of time, and what special
shots the couple and family will want, you've got the ball in your court.
Be sure to attend the rehearsal, so you can set your equipment up and plan
your camera angles. Since you've planned your work, all you have to do is
work your plan.
Here's an idea of the equipment a well-stocked wedding videographer should
have or have access to:
- At least two VHS camcorders with high-quality low-light
functions
- At least one VHS VCR for editing and dubbing
- At least one free-standing light for each camera
- A tripod for each camera, preferably ones with a large range
of heights
- At least two twelve hours of batteries for the camera
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- The best quality wireless microphone you can afford
(one for each camera)
- All necessary cables, with spares
- Extra tapes, the best quality available.
Don't let this list scare you off. If you don't own all this, you don't
have to rush out and empty your bank account. You can either rent what you
need, or barter your services with someone who has the equipment. Then,
pick up the stuff you need piece by piece. Also, keep your eyes open for
good quality used equipment.
Other equipment you may want to consider would include a good video editor
deck, for putting your finished product together; a film-to-tape camera
attachment (can be used to create a montage of scenes from old home movies
of the couple when they were kids - a great service to offer and a unique
marketing point to offer!); and a graphics/title generator.
So, you may have wondered, why would you need more than one camera? If you
have two cameras set up, you:
- can have different angles of the action, instead of the
standard wedding video, which has a half-hour of a still camera; and
- you're covered if one of the cameras messes up or lighting
is bad.
Make sure your videos are special, different from the run-of-the-mill
wedding videos. Try to get a camera aimed toward the faces of the couple,
so you can capture them during the vows, and at other points. This will
also provide close-up footage to edit in at slow points. Try to have a
camera at the end of the aisle, so you can catch the exit of the bride and
groom. This camera could also be used to show the bride from the back,
entering the ceremony, an angle that you rarely see in a wedding video.
If possible, get or draw up a floor plan of the location of the ceremony.
It will help you plan your camera placement and shots.
Position your microphones where they'll do the most good. If possible, get
either the bride or the groom to wear one, and get the minister or celebrant
to wear one. This way, you'll have crisp, clear sound. Just remember to
warn the bride and groom not to whisper anything they wouldn't want the
microphone to pick up! (You can always edit out any unwanted sound.)
Other places you may want a camera would be (with the couple in the 12
o'clock position): 10:00 or 2:00. Use the camera to get views of the
crowd, the parents of the couple (edit a shot of them in during the vows -
catch the emotion of the ceremony), and the entrance of the attendants.
If the ceremony is a specialized ethnic ceremony (becoming more popular,
especially with Black Americans) or unusual, you should look for points of
interest to capture on tape which will show the special meanings and
emotions of the ceremony. If the couple and family can watch your tape and
feel the same emotions they had during the actual ceremony, your tape is a
winner!
Technical skills are important, but they can be learned. The most crucial
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skills are smooth panning and zooming. Before you ever do your first PAID
wedding, practice with another event - for free. Practice makes for fluency.
The worst wedding video is the most common: one stationary camera, no zooms,
never moving. People look around when they're at a wedding, and so should
the camera, within reason. Practice a slow, smooth pan that keep the
subject in the frame of the camera. Practice smooth zooms that aren't
jerky, and aren't too close or too far from the subject.
You've probably figured that you'll need a helper for the actual taping.
Unless the only camera that will pan and zoom is the one you're operating,
and the others are stationary, you'll need someone. Be sure your helper is
well-trained, with skills up to par with yourself. Ideas: a friend who
also has a videocamera (here's a way to save on equipment costs); a college
or high-school kid with video experience (they're becoming more common, as
more and more schools add video classes to their curriculum); or a
free-lancer (possibly a crew member from the public access channel at your
cable station).
At the reception, it's important to get the "traditional" events: the
garter/ bouquet toss, cutting the cake, toasts, etc. Use the same
guidelines as before: keep in mind what's important to have in the frame,
and try to tape it smoothly. A good idea may be to talk to the relatives of
the couple and see if some of them would want to say a few words about the
couple on tape (try to do this early in the reception, before a lot of
drinks have been served!).
If your videos are special and well-produced, you should be able to charge
fees that are toward the top range in your area. Premium wedding
videographers in large areas should be able to get $750 to $1000 for a
wedding. Discretely call other videographers in your area to get an idea
of what the range is. Marketing ideas:
(1) Scan your newspaper for engagement announcements. Then, use your
computer's word processor to print out personalized letters detailing your
services. Use your library's city directory to find the addresses you need.
Send the letters and a brochure to the lucky couples.
(2) Set up a referral network with florists, formalwear shops, printers,
and other wedding-related retailers in your area. You could offer them a
set commission fee each time a referral leads to a taping job.
(3) Find a wedding photographer in your area who doesn't currently offer
video. Set up a deal where your photo and video services could be offered
as a package.
(4) Participate in local bridal shows. These are attended by people who
will be marrying soon, qualified prospects for your services. Have plenty
of your brochures and marketing materials handy, so you don't run out. A
good idea is to have one of your best videos playing on a monitor at the
show (get permission from the couple on tape first, maybe offer them a
discount in exchange for letting you use their tape for marketing purposes).
(5) Advertise in your newspaper's wedding supplement. Most newspapers
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publish at least one a year.
If your taping was simple, with only one camera, you may be able to deliver
the tape to the couple at the end of the wedding. If more extensive editing
needs to be done, make sure you give the couple a realistic date when they
can expect the tape. Don't give them a time that will leave you rushed. If
you don't have your own editing equipment, check ahead with your local cable
station. Many times, they have facilities for their public access station
which can be rented. Many also offer short courses in video editing which
are worth checking into.